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Grateful Dead Live at Cameron Indoor Stadium on 1978-04-12




Set 1

Jack Straw, Dire Wolf, Beat It On Down The Line, Peggy-O, Mama Tried > Mexicali Blues, Finiculi Finicula, Row Jimmy, Minglewood Blues, Loser, Lazy Lightning > Supplication

Set 2

Bertha > Good Lovin', It Must Have Been The Roses, Estimated Prophet > Eyes Of The World > Drums > Truckin' > Wharf Rat > Around & Around

E: U.S. Blues

Duke University


Collection GratefulDead
Band/Artist Grateful Dead
Venue Cameron Indoor Stadium
Location Durham, NC

Source (FOB) Sony 54P -> Cassette Master (Sony TC-158)
Lineage Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16
Taped by Bob Wagner
Transferred by Charlie Miller

Notes

Notes:
-- Set 2 disc change is seamless
-- Recorded By Robert Wagner
-- This is from an old transfer I did years ago

Reviews

Reviewer: drbob22 - - January 15, 2011
Subject: re: Cameron
Yes, those are my mics on the youtube Good Lovin'! Thanks for pointing it out.
Reviewer: jeromekerngarcia - - March 20, 2010
Subject: Cameron Stadium
Thanks very much for uploading these FOBs. 4 friends and I drove down from DC for the show 3 nights later at William&Mary, Williamsburg. We had great fun, with another Bertha>GoodLovin'; but in hindsight Duke was the place to be. I appreciate the work and dedication of the early audience tapers - it must've been a madhouse :-) Are you the original taper? I ask because in the youtube video of GoodLovin' we see a mic stand above the crowd, in the final 30 sec or so of the tune.
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
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Source: Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Grateful Dead
by Grateful Dead
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Source: Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac.
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Source: Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
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Source: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
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Source: Do not remember the mics exception that they had shotgun characteristics > Sony D6 > Maxell MX 90's, located first right hand seat of taper section 12" stand.
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Source: Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard
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Source: Recorded, Transferred and Mastered by N. Hoey (tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)